1 month ago, 9 July 2014 · 0 notes
Our shadows will be roaming through Vienna,
wandering through the courts, frightening the lords.
(Princip’s prison cell inscription immortalized in a Belgrade graffiti)
On 28. June 2014 a hundred years have passed since the Sarajevo assassination, an event which ignited a sequence of international reactions which will lead to First World War and ultimately mark the downfall of the Habsburg dynasty. An apt occasion then to present a release which commemorates the man who pulled the trigger on the tottering dinosaur of imperialism in Central Europe.
Claimed by leftists and nationalists alike, Gavrilo Princip is hard to classify by today’s criteria. He was Yugoslav nationalist who believed in national unity, the organic bond of language and blood and their progressive role which drives the world forwards, but in the same time he was also a liberationist, an anti-authoritarian figure who drew heavily from the anarchist tradition. From his standpoint, nationalist and liberationist ideas were not in necessary collision and, like many of his comrades from Mlada Bosna, he often oscillated between right-wing and left-wing politics in a way which may appear strange today.
But rather then to further dwell upon matters resolved by serious historians 40 years ago (blissfully unaware of the forthcoming revisionist frenzies within the various micro-contexts of post-communist Eastern Europe), we propose a much more interesting alternative – a détournement.
Poseta (Serbian for “Visitation”) is a 1998 self-released cassette of a short-lived hometaping group Gavrilov princip active in Kragujevac (Serbia, then part of rump FR Yugoslavia, successor state of SFRY) from 1993 to 1999.
Gavrilov princip (Serbian for “Gavrilo’s principle”, a pun on the name of Gavrilo Princip) was a joint collaborative effort of Miodrag Saramandić from Aranđelovac (Serbia), a local demo veteran and instigator of a few DIY bands which remained unbeknown to majority of alternative music publics in Serbia, and Predrag Petrović alias Phantom, a legend of the Yugoslav hometaping network from Kragujevac (Serbia) responsible for a host of DIY experimental music projects like Fast Deadboy (1983-1993, 1995-), Rubbishmen alternative jazz (1984-1986) and Phantom (circa 1995), DIY punk/experimental labels such as Dead Tapes and Phantom Tapes as well as fanzines like Instant gladna igra (Serbian for “Quick hungry game”), Phantom and Larynx of the Fast Deadboy, etc.Reblog Like