The grandiosity of club music created on the axis of HD sonic gloss and compression-on-the-master become a criterion itself. It may seem rather awkward to mention it here, but there’s a great lesson to be learned from the opening sequence of Harmony Korine’s Spring Breakers.
Published November, 2013
Our new collaborateur, the mysterious Andrej K., has penned his first article for us, a review of Concrete Cut’s latest offering.
Published November, 2011
We have been in touch with Dana Dramowicz from the burgeoning Polish dubstep/bass label Concrete Cut almost from the label’s inception. Purveyors of electronic sounds oscillating around the 130-140bpm mark, Concrete Cut has released almost ten records in less than a year.
Published July, 2011
A new EP by Slovak producer Teapot is due out in July on the Czech label Eclectica with remixes by Slovakia’s prime wonky/post-dubstep producers Stratasoul and Stroon and the Czech producer Blue. Here is a small preview of what to expect: Unrest II [teaser] by _teapot_ ps.
Published June, 2011
Check this new release from Slovak Surreal Madrid netlabel, especially interesting is the remix by the sonic iconoclast Batcha de Mental. karaoketundra: http://surrealmadrid.
Published March, 2011
The symbol of the Warsaw Uprising, which we come across in form of a graffiti tag all over Warsaw Warsaw: its spacious streets and the central agglomeration of skyscrapers dominated by the famous Palace of Culture and Science from the first moments evoked a strong urban feeling contrasting with the the touristy “history museum” of Krakow. During WWII, 85% of the city was destroyed, the Jewish Ghetto with its 1943 Jewish uprising was laid to the ground in an act similar to the crude retaliation of the Hitler’s Army after the Warsaw uprising.
Published August, 2010