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Tag: Czech Republic

State of Emergency: Dizzcock’s AL

Whereas in his other project, Lightning Glove, the sense of urgency and pervasive feeling of impending omen, was created largely via the lyrics of his brother, the editor of one of the few proudly modern left-wing Czech magazines A2larm Jan, Ondřej makes a statement on his new solo record via the sonic. Apart from the anodyne “This is an emergency” sample in the second track, though the rolling bass professes this with heightened sense of paranoia.

Published September, 2014

Selectone’s Dead Grooves

More than a year after the EP of the Foma duo, the Czech electronic label Ressonus, which usually does so on a sporadic basis though always accompanied with carefully prepared limited edition CD and download artefacts, announced a new release. Coinciding with the straightforward techno-industrial record of the American project The Agromaniac, which was inspired by Harlan Ellison’s post-apocalyptic novella “I Have No Mouth and I Must Scream”, is also the new material of Selectone, a project of the label head David Rambousek, whose history dates back to 2004 and the Mufonic imprint.

Published August, 2014

Bűkko Tapes: Eastern European electronic alternative for your tapedeck

Brno, the second city of Czech Republic, has seen a gradual upsurge in underground sonic activities, aided by its ample student populace - both at the art and technical universities - resulting in a very interesting mix where art and technology come to each other’s service. The crew behind the DIY Arduino-based instrument Standuino is based there, now busy with the increasingly successful Bastl Instruments, who, coincidentally, also lent its support to the latest Brno electronic export - the label Bukko Tapes.

Published June, 2014

Check Czech – a new compilation of up-and-coming electronics from Prague and beyond

What is a sound of a country? House, techno, folk, trap, rap, hip hop or jazz? Of course, such simplistic generalisations are superfluous, though it is still interesting to hear what a certain group of musicians from a certain geographical context might produce, influenced - either consciously or subliminally - by the surroundings (or is this plain determinism)? Of course, we are not talking about Eurovision type of national/istic trite, but genuine music created at a certain time, in a certain place. The new compilation entitled simply and boldly as !CZECH2, presents the up-and-coming producers based in the Czech Republic (there is also a Mexican and an American artist both based in Prague included).

Published May, 2014

Zdeněk Liška – Osada Havranů (Tarnovski mix)

Zdeněk Liška is one of the most significant Czech film composers, his electronic and electro-acoustic compositions finding its visual accompaniments - for his film scores are not secondary to its filmic coupling - in the Czech New Wave or for films of Jan Švankmajer. Eerie and surreal, his sound work create an extra layer, an autonomous sonic universe, that is almost a synaesthetic radio play, dispensing with the need for images, and at the same time reinforcing them in the imagination of the listener.

Published March, 2014

Podcast – Red For Colour Blind

Red For Color Blind by Easterndaze on Mixcloud The podcast created by the makers of the Red For Colour Blind blog, which is dedicated to an “invisible scene”, gathers various projects from the fringes of the Prague post-noise underground, mainly associated with the label and DIY collective KLaNGundKRaCH, which, coincidentally celebrates its 6th anniversary this November. Aside from Czech producers and ensembles, it also features foreigners active on the scene including Core of the Coalman or Romano Krzych.

Published November, 2013

Anti-music: the Czech and Slovak Bandzone scene

The internet made it possible for every user to distribute his or hers music in quite a democratic way, while the development of mobile phones, computers and all of those cross-overs made it possible for everyone to make his or hers own musical recording - even if it’s recorded with poor microphones on a cellphone by someone who doesn’t know shit about music. Take these two things together, and what you have is a sort of minor music revolution.

Published November, 2013

From the vaults of the Czechoslovak underground – Quarantaine’s Lichtempfindlich

CS Industrial has recently started as a Facebook page digging out Czech and Slovak industrial and EBM tinged videos and tracks from the period between 1982 and 2010, in a way effectively creating an online archive documenting the birth of Czech and Slovak electronic scene, which considering the political and societal conditions at the time this music was made, is also an expression of the then zeitgeist. The industrial electronic scene, with its guttural alienated atmospheres and paranoid undercurrents in Czechoslovakia has always been strong.

Published May, 2013

Reclaiming rave: Lightning Glove – Fantasmagorie interiéru

Lightning Glove is a Czech project that emerged from the murky circles of the Prague noise/psychedelic collective Klangundkrach. A trio, accompanied by a visualist, Lightning Glove strive to resurrect rave from its sad sold-out existence, as they told us in an interview: The music has inherent allusions to the likes of Excepter or Suicide, with a dash of Coil or Throbbing Gristle for a good measure, a psychedelic lo-fi guttural onslaught that you can listen to and groove to, as well, aiming for the treshold between psychedelics and post-dance, with yearning vocals, delayed samples, tweaking the hidden ghost out of their drum machine, to create an aural shamanistic excercise.

Published March, 2013

31 Endings / 31 Beginnings – Prague through the eyes of RAFANI

The last work of the czech art collective RAFANI known for its politically and socially oriented actions is a 82-minutes long documentary 31 Endings / 31 Beginnings. Composed as a “city symphony” it features representants of Prague’s artistic or intellectual scenes as well as still lifes of the city’s landscape in 31 short parts, that deal with a “tangle of various relations on the axis between “the centre and the periphery””.

Published June, 2012

Vložte Kočku – TáTa (Landmine Alert, 2012)

The burgeoning Prague-based label Landmine Alert has just released the debut LP of its most idiosyncratic band to date - Vložte Kočku. The LP titled Táta is composed of 7 songs that incorporate elements of postrock, hard-core, electronica, hiphop and spoken word into a very perplexing and multifacetted sound (using electronic violin instead of a guitar), that is at the same time utterly unique in the Czech scene and also very typical in some respect (considering the vocal delivery style common for a plethora of Czech bands).

Published March, 2012

Exterritory Vol 2

A new compilation by Strefa Szarej, a label and a cultural organisation run out of Cieszyn in Poland near the Czech border tries to reflect the music production of the country’s neighbouring countries - Czech Republic and Slovakia (and even Hungary). Genre-wise, the focus is of course on the fringes of the music production of the respective countries (otherwise we wouldn’t be writing about it:), but it varies from weirdo electronic (notably miss Dolly Rambo, Hungary’s foremost art bruteish pop star) through post-dance through psychedelic and mellow at the end with Fuka Lata, Sangoplasmo’s Lutto Lento and their epic 17-minute track, Grobbing Thristle and their haunting ode, I Love 69 Popgeju, Moduretik, Stroon, Piča z Hoven, IP (Identity Problem) or Dead Janitor.

Published March, 2012

dAdA ACTa – Czechoslovakia unites against ACTA

Remember Czechoslovakia ? The small country once part of the Communist Ost Block? The country that, after its Velvet Revolution and playwright-cum-president Václav Havel, broke apart into Czech Republic and Slovakia ? Well, now it’s united again.  The events of January 18th and #OpMegaupload have spawned not only the first generation of the Czechoslovak Anonymous hivemind, that has DDOSed government agencies under the banner of #czsk ever since.

Published February, 2012

Jacques Kustod – First Year EP (Chernobyl Musick, 2011)

Brno’s electronic underground has plunged into a sort of hiatus after “years of glory” when the artists/promoter’s collective/netlabel Chernobyl Musick organised the legendary Heavy Mental parties, and the Fleda Club was one of the leading venues for cutting edge music in the Czech Republic. The recent personal changes in Fleda, as well as several key players entering “real life” or moving away from Brno made it look like the ‘scene’ has been terminated.

Published August, 2011

Easterndaze Night @ A4 in Bratislava soon!

First of the three nights presenting the most interesting musicians we came across during our travels will unleash soon in Bratislava! On Thursday, 18 November 2010, our handpicked guests will play you some nice songs, or massacre them:) The Slovak electronic scene will be represented by the drone-ambient project CASI CADA MINUTO, opening the show up with his cinematic melange of drony tape manipulation. Czech songwriter DNÉ follows in a similar sonic territory as Teen Daze’s Two Bicycles, performing a dreamy and intimate drone-folk set spiced-up with his definition of “chillwave”.

Published October, 2010