2 days ago, 18 August 2014 · 2 notes
Slovakia may not be the most religious country of EU, but it’s certainly the country, where religious structures, especially the Roman-Catholic Church have exceptional influence. Naturally, there also exists a Christian music scene in Slovakia as a sort of autonomous subculture. It’s quite big, but if you’re not a young Christian, it isn’t likely you will ever notice it. It’s also a sort of secret subculture - not because it’s closed to non-Christians, but because non-Christians are not interested in it - it’s quite hard to find anything interesting musically there. While other contemporary subcultures try to differ from what’s considered normal, the Christian music subculture worldwide, and especially the Slovak one, had been the true normcore long before this term was coined.
Why so? Before the Velvet Revolution in Czechoslovakia, Christianity itself was sort of an underground movement. In the atheist Czech Republic, musical underground was directly connected with Christian dissidents (that’s why Christian music scene in the Czech Republic is still smaller, but more diverse than in Slovakia). Underground music movements in Slovakia itself started relatively late compared to the Czech Republic - at the beginning of 80’s - and Christian music began to spread this way just about that time on its own, and without any connection to non-Christian underground music scene. One of the notable examples was priest Anton Fabián, who ran an illegal home recording studio in the village of Hýľov near Košice, Slovakia (equipped with a Korg synthetiser and a Japan-made reel tape recorder - machines rarely available in Eastern Bloc at that time), where the music by various Christian bands (“Košičania”, for instance) was recorded and then copied onto MC tapes - at that time, it was the most common way of spreading banned music in socialist Czechoslovakia.Reblog Like